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2023

  • Ascensión Mazuela-Anguita, Women in Convent Spaces and the Music Networks of Early Modern Barcelona (New York: Routledge, 2023).

  • Tess Knighton, Daily Musical Life in Early Modern Barcelona, forthcoming.

2022

  • Sergi González González, ‘La cofradía de la Candela de Tarragona’, Paisajes Sonoros Históricos, 2022. E-ISSN: 2603-686X http://www.historicalsoundscapes.com/evento/1466/tarragona

  • Tess Knighton, ‘“Puix tot es per aument del culto divino”: El paisaje sonoro de las cofradías gremiales de Santa Maria del Pi, ss. XV-XVII’, Recòndit, 2 (2022), 81–117.

2021

  • Tess Knighton, ‘Circulating Sound in the City: The Procession in the Context of Historical Sound Studies / La circulación del sonido en la ciudad: La procession en el contexto de los Historical Sound Studies’, Artigrama, 36 (2021), themed issue: ‘Internacionalización, movilidad y circlación de música’, 25–45

  • Juan Ruiz Jiménez, Proyecto cartográfico: Paisajes Sonoros Históricos. e-ISSN: 2603-686X, 2021–.

2020

  • Sergi González González, ‘Paying Homage: The Participation of Guild Confraternities in Archiepiscopal Entries into Tarragona’, Special issue of Confraternitas, 31/2, 2020: ‘Iberian Confraternities and Urban Soundscapes’, 36–62

  • Elisa Lessa, ‘The Confraternal Movement in Braga (Portugal) in the Sixteenth and Seventeenth Centuries: Devotion, Music, and Power’, Special issue of Confraternitas, 31/2, 2020: ‘Iberian Confraternities and Urban Soundscapes’, 63–85

  • Ferrán Escrivà-Llorca, ‘Soundscapes and Brotherhood in Processions of the Redemption of Captives. The Case of Early Modern Valencia (Spain), Special issue of Confraternitas, 31/2, 2020: ‘Iberian Confraternities and Urban Soundscapes’, 86–107

  • Tess Knighton, ‘The Contribution of Confraternities to the Urban Soundscape of Barcelona in the Early Modern Period, Special issue of Confraternitas, 31/2, 2020: ‘Iberian Confraternities and Urban Soundscapes’, 108–135

  • Ferrán Escrivà-Llorca, ‘La vida musical a Gandia durant el segle XVI’, Revista de la Safor, 11 (2022), 75–98.

  • Tess Knighton, ‘Introduction: Listening to Confraternities’, Special issue of Confraternitas, 31/2, 2020: ‘Iberian Confraternities and Urban Soundscapes’. (2017). 3–13 

  • Ascensión Mazuela-Anguita, ‘Confraternities as an Interface Between Citizens and Convent Musical Ceremonial in Sixteenth-Century Barcelona’, Special issue of Confraternitas, 31/2, 2020: ‘Iberian Confraternities and Urban Soundscapes’. 14–35

2018

  • Ascensión Mazuela-Anguita, ‘Controverses liturgiques et musicales au convent Santa Maria de Jonqueres de Barcelone: réformes et résistances de la première modernité’, in Réalités et fictions de la musique religieuse à l’époque moderne. Essais d’analyse des discours, ed. Thierry Favier & Sophie Hache (Rennes: Presses Universitaires de Rennes, 2018), 273–287.

  • Ascensión Mazuela-Anguita, ‘The Contribution of the Requesens Noblewomen to the Soundscape of Sixteenth-Century Barcelona Through the Palau de la Comtessa’, in Hearing the City in Early Modern Europe, ed. Tess Knighton & Ascensión Mazuela-Anguita (Turnhout: Brépols, 2018), 197–217.

  • Tess Knighton & Ascensión Mazuela-Anguita, eds, Hearing the City in Early Modern Europe ( Turnhout: Brépols, 2018)

  • Tess Knighton, ‘Orality and Aurality: Contexts for the Unwritten Musics of Sixteenth-Century Barcelona’, Hearing the City in Early Modern Europe, ed. Tess Knighton & Ascensión Mazuela-Anguita, (Turnhout: Brépols, 2018), 295–308.

2017

  • Ascensión Mazuela-Anguita, ‘Música y paisaje sonoro en las fiestas de beatificación de Santa Teresa en 1614’, in Santa Teresa o la llama permanente. Estudios históricos, artísticos y literarios, ed. Esther Borrego & Jaime Olmedo (Madrid: Centro de Estudios Europa Hispánica, 2017), 109–126.

  • Ascensión Mazuela-Anguita, ‘Música para los reconciliados: Music, Emotion, and Inquisitorial Autos de fe in Early-Modern Hispanic Cities’, Music & Letters, 98/2 (2017), 175–203.

  • Tess Knighton & Ascensión Mazuela-Anguita, eds, Música i política a l’època de l’arxiduc Carles (Barcelona: Museu d’Història de Barcelona (MUHBA), 2017)